![]() ![]() = dev.Element("Tags").Attribute("tag2").Value = dev.Element("Tags").Attribute("tag1").Value This standard is also used for most digital still images in formats such as JPEG, GIF, PNG, TIFF, BMP, and so on.Īfter you set the output color space and adjust any other desired presets, transcode the batch.ColorConverter cc = new ColorConverter() Ĭolor c = (Color)cc.ConvertFrom(("color").Value) 709 and used in nearly all standard-gamut displays currently on the market. SRGB (IEC 6):The industry-standard color space for computer displays, similar to Rec. P3 D65 PQ: Combines the Display P3 color space (the wide color gamut used by newer Apple devices and by wide-gamut 4K TVs) with the perceptual quantizer (PQ) function to convert color and luminosity values to high-dynamic-range levels of contrast. HLG, which was developed by the BBC and the NHK (Japan Broadcasting Corporation), requires no metadata and is also compatible with SDR displays. 2020 color space using hybrid log-gamma, a mathematical transfer function that converts image signal values in a video file to scene-relative light levels. Use this option to output files in the HDR10 format. Designed to approximate the sensitivity of human eyes, PQ allows for better levels of contrast at all light levels. 2020 color space using the perceptual quantizer (PQ), a mathematical transfer function that converts image signal values in a video file to absolute light levels on an HDR-capable display. 2020 palette, wide-color-gamut displays can display a subset of those colors. Even though no currently available consumer TVs can display the entire Rec. 2020: A wide-gamut color space developed for future consumer display devices but useful today for mastering (to future-proof your projects) and for 4K and 8K TV projects. 709: The standard-gamut, 8-bit color space used by high-definition TV displays, the Blu-ray Disc format, and most TV broadcasters. 601 (PAL): An older, standard-gamut color space designed for interlaced analog video signals in Europe. 601 (NTSC): An older, standard-gamut color space designed for interlaced analog video signals in North America and Japan. To change the color space of the output file, click the “Color space” pop-up menu and choose a different option.ĭepending on the transcode preset you applied, there are several choices if you applied a transcode preset that supports 10-bit color (an Apple ProRes preset or the HEVC preset with 10-bit color), HDR options appear in the pop-up menu:Īutomatic: The color space assigned by Compressor (in the “Color space” pop-up menu in the Job inspector). (This pop-up menu is different from the “Color space” pop-up menu in the Job inspector, described in the previous task.) If you assigned a transcode preset that allows you to modify the output file’s color space, a “Color space” pop-up menu appears in the Video inspector. Similarly, if you transcode an 8-bit, standard-dynamic-range file using a 10-bit HDR option, you won’t change the video’s appearance (because Compressor can’t create additional resolution that wasn’t there to begin with).Īfter you add a source file to a batch and assign a transcode preset in Compressor, open the Video inspector. Note: If you transcode a standard-gamut source file to a wide-gamut color space, you won’t improve the video’s appearance.
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